推荐回答（1个）
从情节讲，道林的书改编了原著的结尾，原著是道林每每看见那腐烂的画像就颇受良心谴责，后来他想继续放纵的生活而免受良心的谴责，拔剑刺向画像，结果自己也死了。而电影整个脉络都变了，后半部分变为道林过够了种种放纵欲望的生活，良心回归。他希望自己变好后画像也能有所变化，谁知画像依旧丑陋。道林伤心欲绝时遇见了亨利的女儿并爱上了他，决定与过去决裂，可最后亨利发响了他的画像，一把火烧了，他女儿赶来，道林便一把锁住阁楼的门，不让爱人进来。为的是不让她看见反映他丑陋灵魂的画像。道林宁愿自己死也决不愿爱人知晓自己与魔鬼定下的肮脏契约。 从这点看，电影情节更有戏剧张力，但将原著道林灵魂觉醒简化为只是因为一段爱情，降低了其复杂性，当然也更易让观众明白。
原著里道林是金发碧眼，2011电影版是乌发黑眼的本巴恩斯。
原著侧重的是艺术，宿命及人欲望和堕落的底线。而电影掺杂了导演本身向王尔德致敬的成分，因而将演员形象与王尔德本身靠近，且把画家和道林变成了同性恋的爱人。要知道，黑发，同性恋都是王尔德标志。
主题的话电影版可能用里面一句台词概括较恰当——就是艾米丽问到道林时他回答：往往最短暂的东西才最美丽。 青春是最昂贵的奢侈品，因为拥有的人根本不在乎。道林拥有了永恒的青春，却对周遭一切已厌倦，因而其实最短暂的才最美丽。 而原著则是宿命，道林到死都没明白自己是逃不出宿命的。书的开头就是说紫色和金色，这两种颜色是宿命的颜色，要么怎么道林随口一说愿意拿灵魂换青春，就鬼使神差般的的实现了呢？
最重要的是原著是有风险性的，搞不好你读着读着就会像道林一样堕落，因为王尔德把堕落生活描写的太诗意太富有魅力。而电影则刚好相反，他让人们更清楚地认识到生活的底线，不能放浪形骸。
先这些吧，楼主如有哪些方面还想了解和深入我再追加。。
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